The Jazz Butcher
Releases
Distressed Gentlefolk
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Details
Release Type: album
Released: 1986-10
Label: glass_records, BigTime Records
Recorded: 1986-05
Studio: Woodbine St. Studios, Royal Leamington Spa
Catalogue: GLACD020, 6021-2
Notes
limited BigTime copies contain an extended Conspiracy LP.
A-Side
1. Falling In Love
2. Big Bad Thing
3. Still In The Kitchen
4. South America
5. Hungarian Love Song
6. The New World
B-Side
1. Who Loves You Now?
2. Domestic Animal
3. Buffalo Shame
4. Nothing Special
5. Angels
Credits
John A. Rivers - engineer
Richard Dumas - photography
Lionel Brando - sleeve
Pat Fish
Max Eider
Owen Jones
Felix Ray
Mark Steeds - Piano on Who Loves You Now?
John A. Rivers - Backing Vocals on Domestic Animal - Backing Vocals on Buffalo Shame
Thanks
Special thanks and regards to John Silver, Barney, Francisco, Brian at The George, Eric and Julian, Philip and Eleanor and Spacemen 3.
The Butcher Says..
A Sri Lankan gentleman once sat down beside me in a bar
in Bremen, asked me to sign his copy of this record,
and then, even as I wrote messages of good luck and global
harmony, announced sternly "This is a very...bad record."
He was a berk, but he had a point. Alan McGee and a number
of people in France, America and The Music Business have
called this one a "classic album". People do, of course,
say much the same about "Dark Side Of The Moon". Can
you hear my flesh creeping? Germans, on the other hand,
despise it almost universally.
We were deeply confused young men when we made this record.
Max, Jones and I had all been drinking dangerously for
over a year now, and the poor bass player who replaced
David was finding it almost impossible to keep up with
our twisted thought patterns. Do you like my bass playing?
That's me on
Buffalo Shame
,
South America
and a couple of others.
By now, effectively, Max and I had totally lost any sense
of quality control on my writing. Tragic and sincere
or glib and ludicrous, we recorded EVERYTHING. Sent
in to make demos for this l.p. Max and I came out with
Conspiracy where we squandered a couple of great ideas that
this l.p. so badly needs.
John A. Rivers
you'll notice, has
bought a new reverb unit, a Lexicon, in fact. He's also
taken to recording digitally. The ensuing absurd gloss,
matched with an absence of native intelligence around
the bottom end, gives a lot of the songs a sound that
I dislike. ON THE OTHER HAND, there's
Angels
,
Falling In Love
,
The New World
.
Still, in 1986 the best plan would be to buy the
12er single and go see the band
in concert. Generally, we had it down in concert. In
just about every other department, however, we were coming
to bits, individually and collectively, and to me this
record actually shows the morbid state of things at the
time. Not, of course, that we really noticed any of
this until months later, when, confronted by the realitied
of having been on an accidental two-year intercontinental
binge, we retired damaged, leaving the group in pieces.
Oh, and another thing about Gentlefolk... it's
pretentious too.
;;Pat Letter: 1993-08-30;;/letters/93Aug30/albums.html#dist;;1993-08-30
Reviews
The Queen's Journal Butcher lacks chop (Queen's University, Kingston, Ontario, Canada), Fri, Nov 28th 1986